Television Academy Member | 52nd Daytime Emmy Judge | Industry Veteran |  Judge for 47th Annual Sports Emmys

Pricilla Rodgers is a seasoned entertainment professional with over a decade of experience spanning television, film, concerts, and live events. Her expertise has earned her national recognition across multiple industry platforms.

In 2024, Pricilla was appointed as a National Associate Member of the Television Academy, joining the esteemed Casting Directors peer group. Her active contributions to the industry were further acknowledged in 2025 when she was selected to serve as a judge for the 52nd Annual Daytime Emmy® Awards, presented by the National Academy of Television Arts & Sciences (NATAS). In this prestigious role, she evaluated top-tier submissions from across the television landscape.

In addition to her Emmy-related honors, Pricilla has served as a Judge for the 46th Annual Telly Awards, 31st Annual Communicator Awards, 20th Annual w3 and Davey Awards.
Her background includes serving as Talent Coordinator for the Miss Universe Organization and providing VIP coordination and production for hundreds of artists across the U.S

How many years have you been a judge?

1-3 years

What was your first job in the industry? What did it teach you?

My first job in the industry was a Production Assistant on the feature film 22 JumpStreet. Being a PA on 22 Jump Street taught me that no job is too small and every second on set counts. It was my first experience seeing how a major production runs from the inside out and how communication, hustle, and awareness are everything. I learned how to anticipate needs, stay calm under pressure, and be dependable, even when no one’s watching. It showed me how much of filmmaking depends on the people behind the scenes working in sync to keep things moving.

What project are you most proud to have worked on?

Honestly, it’s tough to pick just one. I’ve worked on so many different types of projects from films, tv/ commercials, festivals, concerts, and each one made me proud in its own way. Some pushed me creatively, some challenged me logistically, and others were incredibly meaningful because of who I worked with (sometimes making lifelong friends) and with the message we were helping to share.

What’s the most challenging part about your job and/or the industry?

On one hand, we’re seeing more access to tools, platforms, and diverse voices than ever before, but at the same time, the business side is shifting fast (AI, strikes, budget cuts, and evolving audience habits) are forcing everyone to rethink what “success” even looks like.

What do you look for to determine excellence in video?

I look for strong storytelling whether it’s scripted or unscripted and a clear sense of intention behind the choices.
I ask myself, “Did it move me?” That could mean it made me laugh, think, feel something, or just stick with me long after it ended.

How do you unwind from work mode?

When I need to unwind, I like to move my body and clear my head. Hitting the gym or doing yoga really helps me shake off the stress and reset after long days on set or at events. I also love just getting out and enjoying my city, New Orleans, it has so much soul, depth, history from the music and food to the hidden gems you only find when you slow down and wander.

What are your current roles and responsibilities and what do you love most about your job?

What I love most is being in the middle of creative, fast-paced environments. I enjoy connecting with artists, making things run smoothly behind the scenes, and helping bring great stories and experiences to life. It keeps me on my toes, and no two days are ever the same. That keeps things both challenging and exciting.

What initiatives or projects are you working on now that excite you?

I have a few projects in the works, but I am under an NDA.