As a Senior Motion Graphics Designer at ABC Nightline for 14 years, I specialize in creating precise and impactful visuals for in-depth stories aired five nights a week. Since 2014, my efficient work has contributed to Nightline earning over 10 Emmy nominations and numerous Edward R. Murrow Awards. With over 25 years of experience spanning commercials, film, and broadcasting in the U.S. and South Korea, I have worked with global brands like ESPN, Samsung, and LG. My diverse background includes roles like Art Director for an award-winning documentary and earning an MFA in Motion Graphics. I continue to evolve as a designer, driven by the philosophy that great design can elevate content and change the world.

How many years have you been a judge?

This is my first year!

What excited you about judging for the Telly Awards?

I anticipate a thrill in seeing the sheer breadth of international creativity. It’s an honor to be part of the process that helps elevate and recognize best-in-class digital and video production.

What was your first job in the industry? What did it teach you?

My career began as a motion graphics designer and editor for stop-motion animation. This dual experience fundamentally taught me the power of building the big picture by perfecting every single frame. This rigorous process instilled in me an eye for detail, demonstrating how meticulous refinement of the smallest elements is essential to creating a cohesive and beautifully executed final result.

What project are you most proud to have worked on?

In December 2012, I was the Art Director, Motion Graphics Designer, and Animator for the highly successful ABC special, Back to the Beginning, hosted by Christiane Amanpour. The program was a detailed investigation into biblical mysteries (like Noah’s Ark), and I was very proud to have executed both the design leadership and the animation for such a well-received documentary.

What do you look for to determine excellence in video?

The video should have a clear, well-defined goal. It must communicate its core message effectively and without confusion. Also I look for fresh, compelling ideas and a unique perspective on the subject matter. Does the video offer viewers something they haven’t seen before?

What are your current roles and responsibilities and what do you love most about your job?

Creating compelling visuals—including data visualizations, explainer animations, and on-air graphics—for a program that airs five nights a week at 12:35 AM, demanding high-quality output on short notice.

Do you have any specific practices you lean on to spark creativity?

I lean on creating original designs straight from the draft, avoiding templates as a starting point. This practice is essential for me to preserve true creative originality and deliver visuals that are conceptually unique to each story.